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Ravilious, Eric – Public House

£49.00£131.00

Product Code: 84442c04fd64

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Description

Lithograph for ‘High Street’, 1938 – one of 24 exquisite images of pre-war shops. John Piper (previewing the work in ‘Signature’, 1937) writes: ‘Ravilious is a particularly English artist…..there is probably no-one else who could have made these records at once so faithfully and imaginatively. There is about them the suggestion that you are looking in at a series of gay, old-fashioned parties from the matter-of-fact street in the present. They are records of a passing beauty, but they are full of present-day experience. And they are faithful enough to look like tuck-shops full of sherbert, liquorice and lollipops – which, after all, is one of the chief appeals of the attractive shop’.

 

FramingYour print is bespoke framed using pH neutral materials and conservation-grade mounts.
PostageUK postage free of charge. International postage is calculated at checkout.
FormatGiclée Print, Limited Edition (1/850) on 310gsm thick, 100% cotton rag. Hand-numbered and hand-embossed. Mount included.
Size18.5 x 14.0; paper 29.5 x 21.0; mount 42.6 x 34.3cm
Eric Ravilious

About This Artist

Eric Ravilious

NB: Our Ravilious prints are the only Estate Authorized prints available in the UK.

Watercolourist, wood engraver, lithographer and mural decorator, Eric Ravilious was born in Acton but grew up in Eastbourne, Sussex, where he studied until receipt of a scholarship to the Royal College of Art. Student in the Design School of the College, Ravilious was taught by Paul Nash and became friends, and sometime work companion, with Edward Bawden. In 1930 he married the artist Tirzah Garwood and befriended Sussex based artist Peggy Angus. It is from her home, Furlongs, near Firle on the Sussex Downs just outside of Brighton, that Ravilious began to paint his Downland subjects.

Eric Ravilious went on to design for Wedgwood who, in 1937, brought out the George VI commemorative Coronation Mug, and in the same year the (much collected) Alphabet Mug and Nursery Ware designs. In 1938 Country Life published the book High Street, by J. M. Richards, for which Eric Ravilious supplied a series of lithographs documenting the charms of certain Victorian high street shops – some no longer extant such as the Saddlers and Harness Maker’s shop, or the Fireworks Shop.

Eric Ravilious was appointed Official War Artist in 1940. His watercolours during this period document the setting up of coastal defences at, amongst other places, Newhaven in Sussex; he also worked on a series of lithographs which record life as a submariner patrolling the Channel waters. In 1942, aged 39, Ravilious was posted to Iceland, and in September he participated in an air/sea rescue on board a Hudson plane in search of an aircraft that had disappeared on the previous day. The Hudson itself, however, was lost and Ravilious, along with four others, never returned from this mission.

Eric Ravilious is well known for his wood engravings and for his designs, but more recently it is his watercolours which have, perhaps, been of central interest. If artists are sometimes defined by their work on a particular area – Palmer by Shoreham, for instance – Ravilious, as Peyton Skipwith suggests, is the ‘artist par excellence of the South Downs’* Ravilious’s austerely beautiful watercolours are almost always devoid of people.

But it is this very lack which Ravilious explores: so often in his paintings there is a conspicuousness of absence. There is evidence, almost always, of the land having been traversed and used: the paths are well trodden, the fences zigzag their way across the terrain and pieces of machinery lie rusting in the fields. These man-made artefacts allow an association to the absent walker, farmer or machine operator, but the lack of actual presences can sometimes lend a certain sadness to the poignant beauty of the pictures.

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